The poet Elsa Batista Pimentel bets, en Metáfora de lo indecible, on a kind of reinvention of saying, based on her aesthetic inclinations, her existential observations, and her life experiences, but above all, on starting from her inseparable condition as a poet, which leads her to constantly question reality and that inextinguishable need to remake it according to her own perception. What the poet achieves on this occasion is to distinguish her poetic voice, giving the reader the possibility of perceiving the world through a unique prism: her use of language as an intimate path of beauty.
 
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Poet Elsa Batista Pimentel bets, in Metaphor of things unsaid, on a kind of 'reinvention of saying', based on her aesthetic inclinations, her existential observations, and her life experiences, but above all, from her inseparable condition of being a poet, that leads her to the constant questioning of reality and to the inexhaustible need to remake it according to her own perception. What the poet achieves on this occasion is to distinguish her poetic voice from others, giving the reader the possibility of perceiving the world through a unique prism: her use of language as an intimate path to beauty.