The poet Ana L. Martínez bets on beauty. Not only to the beauty of the visual, but to the widest range of beauty imaginable: to the infinite spring of the world, of all possible worlds, taking as catapult the countless colors of the verse. The poetry of Primavera del Great O, her second collection of poems, speaks beauty; not only 'of' beauty, of the complexity of beauty (of countless other things), but it is, in its language, in its mold-breaker, beauty itself.